Welcome to the Residence of the United States Ambassador to the People’s Republic of China.
We are pleased to inaugurate our new art exhibition at the Residence as part of the U.S. Department of State’s Office of Art in Embassies.
This year, we commemorate the fiftieth anniversary of the construction of the Residence, which coincided with the opening of the U.S. Liaison Office in Beijing following President Nixon’s historic visit here in 1972.
The first occupants of the house were veteran American diplomat David K. E. Bruce and his wife, Mrs. Evangeline Bruce. They raised the American flag in the Residence courtyard in July 1973 when the house and adjoining U.S. Liaison Office were completed.
They were followed in 1974 by George H. W. Bush and his wife, Mrs. Barbara Bush, who lived here in the last days of the Mao Zedong regime. Given their extraordinary work in Beijing and his subsequent service as President and Vice President, we will soon officially rename the Residence after President George H. W. and Barbara Bush.
The official rooms on the Residence’s first floor display an exhibition of American art that we assembled with the assistance of Art in Embassies Curator Claire D’Alba. We both grew up in New England and have our family home in Westport on the South Coast of Massachusetts. We love this region, whose rural beauty and landscapes, maritime history, ever-changing light, and distinct seasons inspire and enrich our lives.
Our art exhibition features the work of an extraordinary group of New England artists who paint the sea, local farms, and modern life in our region. We have a personal connection to the majority of them. Arriving in the reception hall, you will be greeted by the colorful composition of Heidi Baxter, who lives and works in Little Compton, Rhode Island. As you sign our guest book, please take a close look at Peter Aldrich’s iconic view of Fenway Park, our cathedral of baseball in Boston and home of Nick’s beloved Red Sox.
In the living room, take in two beautiful paintings by Westport artist Debra Valeri, one of our town’s beaches, the other an autumnal view of the Westport River.
The living room also includes two bright, vibrant, and colorful abstract compositions by the late Emily Mason, who was inspired by the natural beauty of her farm in Vermont. Hanging over the piano is a painting of New Bedford harbor by Westport artist Dora Atwater Millikin.
Drawing you into the dining room is the energetic work Rider by Vermont painter Eric Aho.
The dining room features two abstract compositions by Westport artist William Kendall. We have another beautiful Kendall painting in the foyer above the staircase.
We are very fortunate to have three historical paintings of the United States’ first encounter with China in Canton at the end of the eighteenth century. These three magnificent paintings were loaned to us by the incomparable Peabody Essex Museum in Salem, Massachusetts.
Finally, as both of us are passionate about the need to combat climate change, we are grateful for the work of Mary Kocol in the reception hall and of Courtney Mattison in the U.S. Embassy lobby, which depict both the natural beauty and the degradation of our environment.
In addition to this exhibition of New England art, the residence also features a permanent collection of Hudson River School paintings of mid-nineteenth-century America and of Native American life.
Throughout the Residence, you will find a rich variety of Chinese ceramics and porcelain donated by former Ambassador to China Winston Lord and Mrs. Bette Bao Lord.
We are very grateful for the generosity and vision of all who made this exhibition possible, including Karina Corrigan, Curator of Asian Export Art at the Peabody Essex Museum; the Emily Mason Foundation; the Miles McEnery Gallery; the Gallery NAGA in Boston; and our many artistic friends who share our love of the South Coast.
We warmly welcome you to our Residence and invite you to enjoy this impressive exhibition of the art of the South Coast of Massachusetts and beyond.
Ambassador Nicholas Burns and Ms. Elizabeth Baylies
Beijing, China
April 2023
Art in Embassies
Established in 1963, the U.S. Department of State’s office of Art in Embassies (AIE) plays a vital role in our nation’s public diplomacy through a culturally expansive mission, creating temporary and permanent exhibitions, artist programming, and publications. The Museum of Modern Art first envisioned this global visual arts program a decade earlier. In the early 1960s, President John F. Kennedy formalized it, naming the program’s first director. Now with over 200 venues, AIE curates temporary and permanent exhibitions for the representational spaces of all U.S. chanceries, consulates, and embassy residences worldwide, selecting and commissioning contemporary art from the U.S. and the host countries. These exhibitions provide international audiences with a sense of the quality, scope, and diversity of both countries’ art and culture, establishing AIE’s presence in more countries than any other U.S. foundation or arts organization.
AIE’s exhibitions allow citizens, many of whom might never travel to the United States, to personally experience the depth and breadth of our artistic heritage and values, making what has been called a: ”footprint that can be left where people have no opportunity to see American art.”
www.art.state.gov
Eric Aho (born 1966)
Rider, 2016
Oil on linen
62 × 80 in. (157,5 × 203,2 cm)
Courtesy of the artist and DC Moore Gallery,
New York, New York
Peter C. Aldrich (born 1944)
Opening Day, 2006
Oil on canvas
18 × 24 in. (45,7 × 61 cm)
Courtesy of the artist, Little Compton, Rhode Island
Heidi Baxter (born 1945)
Farm By Sea, 2021
Oil on canvas
60 × 48 in. (152,4 × 121,9 cm)
Courtesy of the artist, Little Compton, Rhode Island
William Kendall (born 1942)
Blue Grotto, 2021
Acrylic on canvas
48 × 36 in. (121,9 × 91,4 cm)
Courtesy of the artist, Westport, Massachusetts
William Kendall (born 1942)
Winter Snow, 2021
Acrylic on canvas
40 × 30 in. (101,6 × 76,2 cm)
Courtesy of the artist, Westport, Massachusetts
William Kendall (born 1942)
Sunset Dunes, 2020
Acrylic on canvas
26 × 44 in. (66 × 111,8 cm)
Courtesy of the artist, Westport, Massachusetts
Mary Kocol (born 1962)
Nasturtiums from the Isabella Stewart Gardner Museum, 2012
Archival inkjet print from digital photograph
34.5 × 23 in. (87,6 × 58,4 cm)
Courtesy of the artist and Gallery NAGA, Boston, Massachusetts
Mary Kocol (born 1962)
Morning Glory with Bubble, 2011
Archival inkjet print from digital photograph
34.5× 23 in. (87,6× 58,4 cm)
Courtesy of the artist and Gallery NAGA, Boston, Massachusetts
Mary Kocol (born 1962)
Gold Iris in Ice, 2011
Archival inkjet print from digital photograph
34.5× 23 in. (87,6 × 58,4 cm)
Courtesy of the artist and Gallery NAGA, Boston, Massachusetts
Lamqua (c. 1801-c. 1860)
View of the foreign factories in Guangzhou, 1830-1835
Oil on canvas
22 × 32 in. (55,9 × 81,3 cm)
Courtesy of the Peabody Essex Museum, Museum purchase, Augustine Heard Collection, 1931, Salem, Massachusetts
Lamqua (c. 1801-c. 1860)
View of the foreign factories in Guangzhou, 1830-1835
Oil on canvas
22 × 32 in. (55,9 × 81,3 cm)
Courtesy of the Peabody Essex Museum, Museum purchase, Augustine Heard Collection, 1931, Salem, Massachusetts
View of the foreign factories in Guangzhou, 1815-1820
Oil on canvas
22 × 32 in. (55,9 × 81,3 cm)
Courtesy of the Peabody Essex Museum, Gift of Mr. and Mrs. Stevens T.M. Wright, 1971, Salem, Massachusetts
Courtney Mattison (born 1985)
Specter, 2022
Glazed stoneware and porcelain, beetle kill pine log
79 × 38 × 38 in. (200,7 × 96,5 × 96,5 cm)
Courtesy of the artist, Los Angeles, California
On display at the U.S. Embassy in Beijing
Debra Lee Valeri (born 1960)
November Reflections, 2020
Oil on canvas
20 × 30 in. (50,8 × 76,2 cm)
Courtesy of the artist, Westport, Massachusetts
Debra Lee Valeri (born 1960)
Seafoam, 2017
Oil on canvas
18× 36 in. (45,7 × 91,4 cm)
Courtesy of the artist, Westport, Massachusetts
Emily Mason (1932-2019)
Semaphore, 1991
Oil on canvas
54.5 × 56.5 in. (138,4 × 143,5 cm)
Courtesy of the Emily Mason | Alice Trumbull Foundation and Miles McEnery Gallery, New York, New York
Emily Mason (1932-2019)
Upon a Jib, 1989
Oil on canvas
52 × 54 in. (132,1 × 137,2 cm)
Courtesy of the Emily Mason | Alice Trumbull Foundation and Miles McEnery Gallery, New York, New York
Dora Atwater Millikin (born 1960)
FV Pamela Ann, 2020
Oil on linen
36 × 36 in. (91,4 × 91,4 cm)
Courtesy of the artist, Westport, Massachusetts